Page 23 - Black Velvet Issue 96
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BV96 pg22,23,24,25 AWK_BV96 pg23  11/03/2018  18:46  Page 2



                                                                                            BlackVelvetMagazine.Com - 23
    on To The Party














                   t was shortly after the turn of the century when Andrew W.K. first rose to prominence;
                Ilate 2001 to be exact. The singer/songwriter/multi-instrumentalist had grown up in
              Michigan before moving to New York, releasing ‘I Get Wet’ on Mercury Records (home also
              to Bon Jovi and KISS to name but two). It was the single ‘Party Hard’ that had the world en-
              raptured – everyone eager for fun and merriment, and any reason to let their hair down.
              The single became the soundtrack to everyone’s Friday night. Since that time, Andrew has
              released further albums, as well as becoming a motivational speaker, an advice columnist,
              a nightclub owner and a game show host. Now he’s back with his first studio album in
              nearly 12 years – and what an album it is. Sprinkling choice motivational speeches in be-
              tween relatable, heartfelt songs, ‘You’re Not Alone’ is the album you need when you’re feel-
              ing deflated, to pick you up, to spur you on and be the light you’re searching for.

                  t was music professional Karen Glauber  could also be seen in a more sinister, chilling, or  pressing, actually.”
                Ithat inspired Andrew to add three motiva-  unfortunate way. We ask Andrew if he’s often  Sadly, he adds, “It was not an enjoyable ex-
              tional speeches on the album. They come under  needed to know he’s not alone, in the former, re-  perience for me. It was quite distracting. We did
              the titles ‘The Feeling Of Being Alive’, ‘In Your  assuring manner.    manage to get some of the best material done.
              Darkest Moments’ and ‘Confusion And Clarity’.  “This album, specifically the confusion and  Maybe about 10% of the month we spent at-
              Andrew says, “I met Karen all the way back in  frustration that I was feeling leading up to or  tempting that recording. ‘Cause that’s what I al-
              the beginning of my career around 2001. She  even to this day, had a lot to do with feeling quite  ways imagined other people doing, and that’s
              was a very supportive and ever-present figure  disconnected or alienated from even myself to  what I always fantasized about being able to do.
              throughout all these years. But it wasn’t until this  an extent, and descending into this kind of baf-  I always thought, ‘Well, that’s how people make
              album that I actually got a chance to work with  flement; just being baffled and feeling that I was  music. They get together with their friends and
              her very directly in the capacity of a manage-  insane that I wanted to do this kind of work or  they have fun. And then there’s an album done.
              ment team member. She had watched the vari-  that I believed in this kind of feeling and am I the  Why can’t I do that? How come everything has
              ous modes of partying that I had been engaged  only one that wants to feel this way or looking  to be so hard for me?’ Sometimes the only way
              in, including touring, as a lecturer and motiva-  for this feeling, and what I am doing with my life  to really learn what you’re meant to do is by try-
              tional speaker, and thought some, even very  and is there any point to anything? Sometimes  ing it and seeing that all along you were always
              brief, moments of motivational speaking on the  even just the awareness that you’re not the only  doing it the right way, or doing it the only way
              album would help acknowledge that field that  one considering those questions or even strug-  that you could… that I could. So in the end I had
              I’ve worked in and also connect these somewhat  gling with them is enough to provide a type of  to  go  back  and  re-record  everything  alone
              disparate efforts into a collective offering on the  essential fraternal power. A sense of being on  again.”
              album.”                            some kind of even keel with the people around  The  band  did  succeed  in  creating  a
                The material on the album spans a vast pe-  you, even if you can’t relate to anything else  sparkling rendition of the title track, ‘You’re Not
              riod of time – some having been in the works  other than your struggles. But there are also  Alone’, though. This ends the album on a high,
              since 2005/2006. With Andrew not recording a  other times that I wish that I HAD been alone. I  almost like the climax of an epic theatre produc-
              new studio album since back then, he says he  was quite unsettled by the presences around  tion.
              needed motivational pep talks from time to time.  me.”                    Andrew says, “The title track justified that
              What you hear on the album is Andrew trying to  There  was  a  point  during  the  recording  entire month. Even though we only spent a few
              inspire himself as much as anyone else. “The  process  of  this  album  that  Andrew  actually  moments on that piece. I had written the music
              past ten years, between 2006 and 2016, there  wished he WAS alone. He found himself in the  before we had even gotten to the studio session,
              was extraordinary confusion and frustration in  studio with his band – something he hadn’t been  but the lyrics and the melody came together very
              my life. But not dissimilar from any other period,  used to.           quickly at one moment and that to me made the
              I suppose. A consistent level of frustration and  “I’ve actually always worked alone for the  whole thing worthwhile, ‘cause the title track,
              confusion,  but  perhaps  more  confusion  than  majority of the recording process; that’s the only  there’s no part of the album I like more than that
              ever, at certain peaked moments. It was very  way that I’m able to get the work done – in com-  last song. It’s nice to be able to salvage some-
              helpful  even  in  a  rather  unconscious  way,  to  plete solitude; myself and the recording equip-  thing that really communicated more efficiently
              have some mental tool to push back against  ment and the instruments. That’s nothing new,  the feeling I was trying to get across with the
              that. I wasn’t consciously telling myself these  that’s how I’ve recorded from the beginning. In  whole album in one song. But sometimes that’s
              things. I probably should have been, but I would  the very beginning, it was done out of necessity  how it goes. Sometimes you work on 100 differ-
              come back to points of understanding, or areas  because I didn’t have anyone else. I didn’t have  ent things and only one of them ends up being
              where I did not feel total confusion and I would  a band. I didn’t have anyone who was willing or  of any value, but the value is so fantastic to you
              really latch on to those, cling on to those, and  interested in being part of it, so it was out of  that it justifies all the failures.”
              try and use those to carry me forward and espe-  sheer determination that I figured out how to do
              cially  for  the  last  year  of  recording  process,  things by myself, and was not necessarily happy  f you’re a fairweather fan who has only re-
              2016-2017, that’s when the confusion was at its  about that isolation, but learned to use it for my  Ially listened to Andrew when ‘Party Hard’
              peak, specifically about the album and every-  advantage to some degree, or just accepted it  has been played on the radio or at parties, you
              thing; my whole life.”             on some level. Going into this album, I got it into  may be unaware that when he sings about par-
                The title of the album, ‘You’re Not Alone’,  my mind that I could go against that work style  tying, he really means pleasurable life experi-
              and indeed a lot of the album, features contrast-  and contradict my past mode of recording and  ences of any sort – and even just celebrating life
              ing  scenarios. Andrew  has  talked  about  how  work with my band in the studio together, hang-  and  existence.  He  promotes  doing  what  you
              ‘You’re Not Alone’ could be comforting, knowing  ing  out,  having  fun  as  a  group  of  people.  love to do, no matter what it is. Yet, by default,
              there are others there for you – alternatively, it  Couldn’t get anything done, and it was really de-  he, himself, has suffered from depression and

                                                                                                   ANDREW W.K.
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