Page 30 - Black Velvet Rock Music Magazine Issue 92
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                     e’re chatting to drummer Tom Ogden  any money, everyone starts going… mad, really.  make the perfect drum? Is there such a thing as
                Wand he tells us how impressed he is of  And it kind of had this negative effect on us as  a perfect drum?
              James’s lyrics on ‘All These Countless Nights’.  people. I don’t know, we didn’t fall out as such,  “Well, everything’s different,” replies Tom.
                “I think James has got an amazing ability to  but it just felt like we were a little bit isolated.”  “There’s different wood, different thicknesses of
              write stories with the lyrics and make them fit                        the  shell,  different  sizes,  different  finishes,
              perfectly with songs, and I think that’s quite a  hen James chose to announce a solo  wraps, varnishes. It’s really interesting, ‘cause
              rare thing to come across nowadays. Most lyrics  Wtour,  after  the  band  had  completed  you make one. You think, “I’ve always wanted a
              are a little bit metaphoric and a little bit, kind of,  their ‘Old Souls’ cycle, Tom says he wasn’t very  black, sparkly snare,” so I made one and then,
              you have to work out what the hell someone’s  happy about it. “I wasn’t massively happy about  “I’ve  made  one  now.”  “I’ve  always  wanted  a
              talking about. But with                                   it,  ‘cause  we  blue…” I’ve got four. I use them live still. They
              James’s, he talks about                                   never  actually  sound really good. I just haven’t got the ability
              his problems with rela-  t’s selfish of me to not want him to  said the words  to really set up an actual business. I just enjoy
              tionships, with alcohol, ‘Ido  anything  on  his  own  because  that  Deaf  Ha-  making them and if anyone wants to buy one,
              with the internal prob-  he’s a very, very talented guy and there’s  vana   were  then yeah, I’ll sell it to them. To make a website
              lems  we’ve  had  with  no reason why he shouldn’t. But it just  breaking  up.  and come up with adverts and a plan, again,
              the  band,  feeling  de-                                  He just kind of  that’s not really what I enjoy doing.”
              pressed  and  isolated,  made me feel a little bit more alone if any-  went  off  and
              and  I  think  everyone  thing,” - Tom Ogden, Deaf Havana  did  this  solo   lso during the band’s time off, Tom ac-
              can relate to that, espe-                                 thing, which in  Atually had his first child – a daughter.
              cially  the  rest  of  the                                hindsight  is  a  “It’s made me grow up quite a lot, I think,” he
              band because we were there with him when he  good thing, and I don’t think I’ll ever get annoyed  says. “It’s also made me want to not waste my
              was experiencing it. It represents what James is  with anyone doing anything solo ever again be-  time. If we’re going to do the band again and
              thinking but it also represents exactly what we  cause I think it helps people to deal with prob-  tour another album cycle, I want it to be done
              were going through – apart from the relationship  lems. I think it helped him to deal with what was  properly. I don’t want to go and do stuff I don’t
              problem. But a lot of the stuff we can all relate  going on with Havana. I also think it’s selfish of  think is going to benefit us at all. It makes you
              to.”                               me to not want him to do anything on his own  realize how important it is to… not be at home,
                The album has been quoted as being Deaf  because  he’s  a  very,  very  talented  guy  and  but when you’re away from home, it has to be
              Havana’s ‘most brutally honest and bruisingly  there’s no reason why he shouldn’t. But it just  worthwhile, because I could be getting so much
              emotional album yet’. There are songs such as  made me feel a little bit more alone if anything.  more at home with my daughter. It’s a really
              ‘Happiness’,  which  focuses  on  how  James’s  That was kind of the only thing musically I had  good  thing  for  me  because  I  really  miss  her
              anxiety affects his relationships, ‘Seattle’, written  in my life and now I kind of realize that that’s  when I’m away, but I know that I’m doing some-
              while on a depressing tour of the USA, ‘Trigger’,  never going to happen again. He was doing his  thing that will benefit us all in the future, whereas
              about a volatile past relationship, and ‘Fever’,  solo thing and I was like, “Well, no-one’s actually  before we went on a dead-end tour in America;
              which shines a light on James’s heavy drinking.  said the words ‘Deaf Havana’s going to break  it was a crap tour, we played to about three peo-
              When asked if he was surprised with anything  up’, but now he’s done this it means that Deaf  ple a night. Everyone wanted to go home. So I
              James wrote when he first heard the lyrics, Tom  Havana are going to break up.” I don’t really  think if I’d have had a daughter back then, I’d
              says, “Sometimes it does shock me some of the  know why it didn’t.”    have just got the next flight back home.”
              things he writes because I know the people that  It was a scary time for Tom.   During the break, the band spoke to each
              the songs were written about are going to hear  “It was for me because I’d put 10 years of  other now and again and kept things “ticking
              them and if that was me maybe I’d hold back.  my life into it. Alright, we were going through a  over”. Tom tells us about the first time they all
              Maybe I wouldn’t want the people I wrote the  bit  of  a  rough  time. At  the  same  time,  we’ve  got back together again for band stuff.
              song about to hear exactly what I thought. But  overcome problems before. I didn’t really see  “The day that we kind of played together
              maybe I’m a bit more scared than he is. I think  any problem with trying to talk it out, but no-one  again it was just amazing. We played and then
              he’d rather get his point across than hold back  really wanted to talk it out, I suppose. And I think  we went for a drink and were like, “Why did we
              on writing it. I think that’s what makes the album  that was his way of saying he didn’t want to do  ever stop doing that? That was amazing. What
              interesting. I’d be scared, if I wrote a song about  it anymore.”      a great feeling.” And to kind of write a song, it
              an ex, that they’d ring me up and say “What are  Tom adds, “He might pick it up again in the  felt  incredible.  I  don’t  know  really  why  we
              you  on  about?”  whereas  I  don’t  think  he  is,  future, I don’t know. But if he does now it’s fine,  stopped doing it.”
              which is a good thing, because I think he’s bru-  it’s completely fine. Loads of people go off and
              tally honest with everything he writes.”  do solo stuff, but that point where he first an-  he  band  found  new  management  –
                                                 nounced he was going to do it, was right at a  TRiverman, who also manage Placebo,
                  n  ‘Trigger’,  one  of  the  singles  from  the  time where I really didn’t need to hear that.”  and a new record label – So Recordings.
                Ialbum, James sings ‘So tired of being tired                            “We wanted to get a load of managers lined
              and drunk and lonely’. Tom talks us through the  uring this period of uncertainty, Tom set  up, a load of labels lined up and go in for meet-
              period where the band were going through a  Dup Ogdens’ Drum Co. with his brother  ings with 20 people and pick the best one,” says
              particularly rough patch.          and sold some drums.                Tom. “And we started doing that. Riverman was
                “It was hard. But we got to this stage where  “I’ve  always  enjoyed  making  things  and  the first meeting we had that day and as soon
              we were playing a few shows, but yet you’d still  drawing. I made clocks and stuff in the past, and  as we came out of that meeting we were like,
              feel really lonely. It was horrible, really horrible.  I thought, “I’m going to have a go at making a  “They’re the ones.” We did listen to what all the
              It  felt  like  I  couldn’t  talk  to  my  friends  even  drum,” and I did; me and my brother did. And it  other managers said but we were like, “You guys
              though they were sitting next to me or in the  sounded amazing. So we made a couple more,  really  get  us.”  They’re  really  professional.
              same room as me. Just didn’t really want to. It  we made three or four and started selling them.  They’ve got a really good set-up. They’ve got
              wasn’t I didn’t like them, I felt like I didn’t have  That was another thing that helped me deal with  Placebo, for one, which are one of my favourite
              anything  to  say  to  them.  I  dunno…  a  really  not playing music anymore. I’ve stopped doing  bands in the world. We just got a really good
              strange feeling to be away from home, be thou-  it  now  because  it’s  incredibly  expensive.  To  vibe from them. They wanted to work hard. They
              sands and thousands of miles away from home,  make a few drum kits you have to have a fair  really wanted to help us. And the label are the
              be playing shows to thousands of people a night  whack of money in the account. It’s a big risk to  same. They were the first label we met. We met
              with the friends that you’ve grown up with and  take if you don’t sell many, so I don’t do it any-  with some real big labels but we didn’t really feel
              yet feel so lonely. It’s such a strange feeling. I  more. I do it for my own personal pleasure, but  it. I think if we’d have signed to a big label we’d
              think a lot of other aspects of the band put us all  I don’t know if I’d make any to sell anymore.”  have just been swept under the carpet. Whereas
              in bad moods and kind of resent it a little bit –  He says he’d like to do it again in the future  this label, we were the only band they signed in
              with the accounts, money side of things, and it  but is not sure if he will.   2016. And again, they’re really passionate about
              was all getting out of control, and all getting a bit  “I just don’t know how easy it’d be to set up  it.  They  really  care.  They  want  to  make  this
              too much for us. None of us really got in a band  properly. It’s alright making two or three, but to  album a success. And so do we. So everyone’s
              to deal with accounts. That’s not what being a  make  them  on  a  bigger  scale  I  don’t  know.  working in the same direction, it’s brilliant.”
              musician is all about for us. When that started  Maybe  in  the  future  I  will  pick  it  up  again.  I  The band worked on the album in 2016. The
              to go sour, we kind of said, “Well, I don’t want  haven’t made any in a while. I did enjoy it, to be  album was produced by Adam Noble at Air Stu-
              anything to do with it because it’s nothing to do  honest. I really enjoyed it. And I learned a lot  dios in London, but it was not all easy going. On
              with me. I’m not interested in it,” and then one  about drums by doing it.”  28th May, Tom tweeted,  ‘The most stressful day
              day when there’s no account and we can’t get  Black  Velvet  asks  what  it’s  like  trying  to  of pre-production so far. But this album is going
                DEAF HAVANA
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