Page 43 - Black Velvet Issue 91
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                                   the  songs  on  this  album,  by  brothers  Dirge  and  self  loving  some  tracks  tious yet still possesses a
                                   like  all  Sixx:A.M.  albums,  Draggle  on  guitar  and  more than others, but over-  memorable punk rock beat
                                   actually are, since they are  drums.  It’s  bare  bones  all  it’s  a  very  impressive  and   handclaps,   while
                                   so current today. In ‘That’s  stuff, which serves to high-  album from the quartet.   ‘Everything Will Be Alright’
                                   Gonna  Leave  A  Scar’  light  the  quality  of  the    YYYY    is a sweet, heartfelt tune,
                                   James  sings  ‘cuts  like  a  whole  offering.  ‘Afraid  Of  SBV  with Matti Fantasi singing ‘I
                                   dagger’  –  and  it  does.  Me’ opens proceedings in            want to be the one to tell
                                   Sixx:A.M.  manage  to  do  bouncing  pop  punk  style  ROCK WOLVES  you  everything  will  be  al-
                                   what they always do, which  and it all flows from there.  ROCK WOLVES  right’. We have high hopes
                                   is create incredible musical  ‘Transylvania Twist’ will get  (STEAMHAMMER/SPV)  for this band and look for-
                                   art with hearts wide open  any  party  dancing,  while  Comprising of Herman  ward to hearing more.
              SIXX:A.M.            and which is instantly taken  ‘The Dead Ringers’ and rol-  Rarebell  (ex-Scorpions),  YYY
              PRAYERS   FOR   THE  to  our  hearts.  There  is  licking lead single ‘South-  Michael  Voss  (Temple  Of  Becky Simpson
              BLESSED, VOL. 2      nothing  not  to  love  about  ern Cemetery’ bring a hint  Rock/Mad   Max)   and
              (ELEVEN SEVEN)       this release (and band).  of  folk  rock  into  the  pop  Stephan ‘Gudze’ Hinz (H-  STEVEN BATTELLE
                 Sixx:A.M.  can  do  no        YYYYY    punk  mix.  ‘Follow  Me  To  Blockx), Rock Wolves is a  EXIT BRAIN LEFT
              wrong.  ‘Prayers  For  The           SBV  Hell’ is quite 60s and is a  new  project  drenched  in  (SUFFER FOR MY ART)
              Blessed’  is  the  second                 brilliant twisted love story,  pure  unadulterated  soft  One listen to ‘Exit Brain
              album  of  a  two-volume  EXPERIENCED?!?  while  ‘The  Coppercomb  rock. Michael Voss, with his  Left’ and you can feel that
              double album, following on  THE DEVIL IN ME  Witch’  is  an  out  and  out  unique vocals, puts every  Steven  Battelle  has  been
              from   its   predecessor,  (INDIEPLANT)   rocker. ‘Murder Of Crows’  ounce  of  his  passion  into  on  an  incredible  journey.
              ‘Prayers For The Damned’,  Blasting  out  of  Bel-  is  a  stunningly  good  the  ten  tracks  on  the  He went travelling around
              released  earlier  in  2016.  gium, Experienced?!? de-  Celtic/folk  rock  song  and  album, while Herman and  the world, and while on his
              The album begins with the  liver an updated version of  one  of  the  album  high-  Stephan help turn the band  travels wrote when he was
              chant that ended ‘Prayers  old  school  hard  rock.  In  lights. Cadaver Club is no  into a real power trio. Kick-  inspired. The end result is
              For The Damned’, showing  their  modernised  version,  mere  novelty  act.  Their  ing off with ‘Rock For The  a fascinating jaunt for us,
              that the two albums could  they succeed in breathing  music is high calibre with  Nations’,  you’re  immedi-  the listener. Released just
              seamlessly  fit  together.  fresh  life  and  an  aggres-  superb storytelling; an ab-  ately catapulted into a feel-  prior to Christmas was the
              Opening track, ‘Barbarians  sive  swagger  into  the  solute must listen.  good  sing-along  anthem.  perfect timing as many of
              (Prayers For The Blessed)’  genre. From the rumbling            There’s a nostalgic 80s in-  the songs have a glittering
              is a powerful fighting song.  bass  and  drums  and  rol-       fluence  to  songs  such  as  festive feel, none more so
              Dustin Steinke’s drums are  licking  guitar  intro  of          ‘Surrounded By Fools’, al-  than ‘Absent Magic, Pt. 2’.
              almost  like  bullets  being  opener  ‘The  End  Of  The        though lyrically the track is  Steven’s vocals sound soft
              fired. ‘Barbarians’ gets you  World’  onwards  there  are       about  unsavoury  politi-  and pure like melting snow,
              off your feet, whether it’s to  some terrific rhythms which     cians, while ‘Out Of Time’ is  while  the  musical  back-
              dance,  protest  or  kick  plug directly into the head-         a song on a mission. You  ground  is  a  twinkling
              some  ass.  And  then  Dj  banging area of the brain.           may be surprised to hear a  Christmas scene with jingle
              Ashba’s solo kicks in and  The drums are relentless,            cover of ‘What About Love’  bells   attached.   ‘Silent
              weaves  a  magical  spell  the guitars are frenetic, and        (Jim   Vallance),   which  Movie Scream’ also has a
              over its audience. ‘We Will  the rough-edged vocals are         sounds as good as Heart’s  real  Christmas  movie  air.
              Not Go Quietly’ continues  exactly  right.  Title  track  YYYY  chart-topping  cover.  The  Interestingly, ‘A Christmas
              the adamant, in-your-face  ‘The Devil In Me’ is a dark  Clare Huckett  pace slows a little for ‘The  Cartel’,  the  song  that
              strength.  This  song  and  and sinister exploration of         Blame Game’, although it’s  Steven  dressed  up  in  a
              band  will  not  back  down.  self-destructive tendencies  JOANOVARC  the funky ‘Riding Shotgun’  Santa  Claus  outfit  in  the
              ‘Maybe It’s Time’ is a more  and  is  a  standout  track.  RIDE OF YOUR LIFE  that follows that we prefer.  video  for,  has  more  of  a
              vulnerable and fragile song  Slow-paced and heartfelt,  (RED VIXEN)  The whole album is a com-  funky Indian flavour, quirky
              which sees vocalist James  ‘Better’ pushes into power  JOANovARC  initially  fortable rock album that will  in its deliverance, in places
              Michael  opening  up  and  ballad territory, while album  formed over a decade ago  appeal to all tastes; there’s  like an awkward C90 cas-
              looking to a dark time in his  closer   ‘Heartbreak   In  although their line-up only  something for everyone. A  sette  tape  that  has  been
              past but then reaching an  Stereo’ is a bombastic epic  solidified  in  2009,  when  new  generation  of  music  wound  on  too  tightly.
              awakening moment, which  in three  parts:  symphonic  Laura  Ozholl  became  the  lovers will be born with this  Steven’s  distinctive  glam
              shows hope and light at the  elements,  piano,  light-fin-  final piece of the puzzle. It’s  album.  pop vocal tones wrap over
              end  of  the  tunnel.  It’s  a  gered guitars, and a martial  been a few years but the  YYYYY  buzzing lo-fi guitars in ‘Last
              stunning  song  that  really  beat from the drums which  band  have  now  released  Clare Boyle  Night On Earth’. ‘The last
              pulls  at  the  heart  strings.  kicks  up  a  notch  for  a  their debut album, ‘Ride Of  night of earth is tonight,’ he
              ‘The  Devil’s  Coming’  is  faster-paced part two, be-  Your Life’. The album kicks  DEAD FREQUENCY  repeats  rather  frantically.
              equally as open and pow-  fore  abruptly  pulling  back  off with the title track, which  TOUGH  TRACKS  AND  There’s a peaceful tone to
              erful,  with  heavy  subject  into  a  short  and  subdued  sees the four girls firing on  SETBACKS  the  start  of  ‘The  Ocean
              matter. It begins with an ur-  third section. There’s vari-  all cylinders. Sam Walker  (DEAD FREQUENCY)  Chorus’  where  you  can
              gent pummeling pace be-  ety, skill, confidence, and a  has  a  fantastic  voice  that  Daventry  trio  Dead  hear flapping ocean waves.
              fore   mellowing.   The  whole lot of quality rock in  can reach any note and at-  Frequency  recently  re-  ‘How can the cracks in the
              ‘woah-oh-oh’ is to die for.  this album.  titude seeps from the track.  leased  a  four-track  EP,  ceiling of this cave match
              The  band  cover  ‘Without        YYYY    The London quartet could  ‘Tough  Tracks  And  Set-  the stars reflecting off the
              You’  (Badfinger),  a  real   Clare Huckett  almost  be  the  distant  backs’. Opener ‘Nobody’s  waves’,  Steven  sings  re-
              heart-wrenching,  lighters-               cousins of The Amorettes  Listening’ begins with vocal  flectively.  ‘Nine  Miles  Of
              in-the-air track, while ‘Riot  CADAVER CLUB  and daughters of The Run-  ‘woah’s  and  ‘na  na’s  and  Light’ has a dapper beat for
              In My Head’ is full of emo-  IT’S ALWAYS THE QUIET  aways. ‘Dragon In The Sky’  once the full band kicks in  the first half of the song be-
              tion  and  pain  with  heavy  ONES        features  some  fist-punch-  this is easily one of the best  fore it mellows and then a
              lyrics, yet almost turns into  (PIRATE HEART)  ing  ‘hey’s  in  its  chorus,  tracks  on  the  EP.  With  a  Brian May-esque rock gui-
              a theatrical rock opera a la  Horror punk can be a  while ‘Work’ has more of a  catchy tune and great gui-  tar surprises you. The di-
              Queen/My  Chemical  Ro-  hard genre to pull off. For-  raw,  garage  rock  sound.  tar solo partway through, it  verse album ends with ‘I’m
              mance  towards  the  end.  tunately,  Cadaver  Club  JOANovARC are quite di-  kicks the EP off perfectly.  Still  Finding  Out  Who  I’m
              James has said that ‘Suffo-  manage to combine the hu-  verse  when  it  comes  to  ‘The Devil’s Dream’ contin-  Going  To  Be’  -  and  while
              cate’ and ‘Helicopters’ (the  mour with great writing and  styles.  ‘Five  Years’  has  a  ues this theme of instantly  you sense that he’s done
              latter,  a  stunning  song  of  delivery, producing a sec-  sultry, soulful, smokey back  captivating  the  audience  that somewhat with this re-
              epic  proportions  in  which  ond album that’s lively and  alley vibe, while the album  and  this  definitely  shows  lease, there is no doubt still
              the  frontman  reaches  im-  entertaining. Husband and  ends with ‘Peace Of Mind’,  potential, as the huge cho-  a lot more to come.
              peccable high notes) were  wife team Mr Crowe (lead  a  mellow,  tender  touch.  ruses could easily fill larger  YYY
              written about 15 years ago,  vocals)  and  Boom  Chic  With  such  a  variety  of  venues. ‘Time For Saying  SBV
              which shows how timeless  Chic (bass) are backed up  styles you may find your-  Sorry’ is not quite as infec-

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