Page 26 - Black Velvet Issue 89
P. 26

BV89 pg26,27,28,29 Hands Like Houses_BV89 pg26  28/06/2016  02:56  Page 1


              BlackVelvetMagazine.Com - 26
































































                  The Sickness And the
                  The Sickness And the




                        ands Like Houses recently polished off the last leg of their ‘Dissonants’ world
                  Htour in the UK. Black Velvet interviewed Trenton Woodley before their biggest
               headline show to date, which just so happens to be 10,000 miles away from home (Can-
               berra, Australia). Read on to find out why the ingredients of Hands Like Houses are
               a combination of bravery, hard work, and a healthy mind and body.


                     oming up on the penultimate date  and not a lot of space. I guess with being  cycle.  That  certainly  got  into  my  head.  I
                  Cof their world tour, it’s quite clear  away from home for an extended period of  think that obviously reflects in my mindset
               that fans are digging the fired up and pow-  time, and a lot of trying to push our band  to a degree. I can definitely see that it came
               erful  collection  of  tracks  on  Hands  Like  through a lot of the second album cycle, we  across in the record,” he confesses.
               Houses’ most recent album release, ‘Disso-  had a great start on the second album, but  It’s brave to delay something so antici-
               nants’. Trenton reveals where the power of  as  we  got  to  the  end  of  the  record,  the  pated by a fanbase, but Hands Like Houses
               this  album  came  from  and  why  it  wasn’t  doors weren’t opening as they were before.  are devoted to getting things right, despite
               originally  there  at  the  start  of  the  album  We released our second album as our first  that they feared it might not have gone their
               writing process.                   was  kind  of  peaking  in  popularity  and  way.
                  “It came from writing with a lot of exter-  reach,  so  we  weren’t  really  familiar  with  Trenton gives us an idea of how brave
               nal pressure as well as time constraints,  what it felt like to be on the end of an album  they had to be by saying, “I think it was just

                HANDS LIKE HOUSES
   21   22   23   24   25   26   27   28   29   30   31