Page 46 - Black Velvet Magazine Issue 108
P. 46

BV108 pg 46-49 Don Broco.qxp_BV108 pg 46   16/06/2023  00:42  Page 1


              BlackVelvetMagazine.Com -46

              DON BROCO / PAPA ROACH / DANCE GAVIN DANCE – BIRMINGHAM UTILITA ARENA, 24.03.23
                 While on paper, Don Broco and Papa Roach are fairly different musically, they are both to be admired for paving their own way in the music scene.
              When Papa Roach burst onto the scene in the 90s, their merging of rock and rap was new and fresh. Likewise, Don Broco’s genre-bending songs,
              established 15 years later, possess a similar uniqueness. Both have deserved their rise to fame for being round pegs that don’t fit into the obligatory
              round holes. They have done things their way, on their terms.
                 But, before either of those bands grace the arena stage, are Dance Gavin Dance – another fairly original band. With two vocalists instead of one,
              this Sacramento band fall into the experimental rock, math rock and post hardcore categories, Tilian Pearson delivering clean vocals, while his coun-
              terpart Jon Mess emits gruffer, hardcore vocals. Songs such as ‘We Own The Night’ and ‘Inspire The Liars’ feature technical instrumentation acting
              as a trampoline for the mix of vocals to bounce around on. While one goes high the other lays low.
                 A few days before this tour, rock mainstays Papa Roach released the deluxe version of ‘Ego Trip’, their latest and 11th studio album. It makes
              sense to kick off their set with opening track ‘Kill The Noise’, a hefty missile that’s enough to mutilate the crowd in one swipe. ‘Getting Away With
              Murder’ is next up and an older favourite that creates a rush of excitement. Jacoby tells the crowd he’s missing his son’s 21st for this. Papa Roach
              have been known to cover The Prodigy’s ‘Firestarter’, but tonight they do so with the added input of local Prodigy member Rob Holliday on guitar.









































                 The band pull out all
              the stops and frontman
              Jacoby Shaddix asks the
              crowd to open a circle pit
              for the energetic ‘…To Be
              Loved’ (preceded by a
              chant of ‘Hey Ho, Let’s
              Go’). With rotating lights
              and contagious ‘woah’s,
              the infectious song is an-
              other song that has ev-
              eryone  moving.  The
              always-hyper  Jacoby
              gets off the stage towards
              the end and goes along
              the front row barrier, tak-
              ing things from a nine to
              a ten.
















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