Page 6 - Black Velvet Magazine Issue 106
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BV106 pg 06.qxp_BV106 pg 06  11/05/2022  18:47  Page 1



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                                   work on ‘The Vulture Club’   a whacking double punch.   styles, from the stomping   track, but not when Crobot
                                   that makes you stop what   Another triumph is the bal-  intro and chorus rhythms to   perform it. Mouth organ
                                   you’re doing and look at   ance of the musicianship,   the lighter, clearer verses   pumped up to ten, the
                                   your music player, as it is   spearheaded by guitarist   and sparkling solo. ‘Pulling   opening lyric of ‘Dust off
                                   so impressive.  You can   Stu Bailey, who commands   Me Under’ has a hint of   your shoes, get ready to
                                   definitely tell that this band   numerous  cool  riffs   funky bass rhythms but is   go, there ain’t another thing
                                   is in it for the long haul and   throughout the record, and   otherwise a straight hard   you need to know’ should
                                   at the top of their game.   the vocals of Will  Taylor.   rocker. ‘No Regrets’ has an   tell you everything you
                                      In ‘The Worst Is Yet To   What’s great is that these   alt. vibe, interesting rhythm   need as this is the song the
                                   Come’ Chris sings ‘I hate   guys have much more to   changes and a lot of ap-  world needs to shake off
                                   what I’ve become’ – but we   come, and we definitely   peal. ‘Stranded  Alone’   the blues of the last couple
              FOZZY                love what Fozzy has be-  look forward to seeing   mixes a heavier guitar,   of years and, indeed, look
              BOOMBOX              come, and think this is their   where they go from here.   pounding drum intro and   forward to better times. And
              (MASCOT)             best album yet. While pre-        YYYY     hard-rocking choruses with   ‘Feel  This’ continues to
                 If ever you need an   vious album ‘Judas’ re-  Michael Coventry   a reggae bounce on the   suggest better times are
              album or band to remind   cently  received  gold                verses which shouldn’t re-  ahead, especially when it
              you how much you love   certification, this album is            ally work but, surprisingly,   comes to a Crobot show in
              music, take a listen to   deserving of the same, if             does.  There’s a similar   the future. The belting an-
              ‘Boombox’, Fozzy’s new   not more.  An album you                bounce to ‘Fade’, while   them that is ‘Livin’ On The
              album, the follow-up to   definitely need in your col-          closer ‘Surround You’ has   Streets’ is destined to be a
              their 2017 release ‘Judas’.   lection.                          the faintest hint of Spanish   highlight live, as will their
              We have definitely not felt     YYYYY                           guitar rhythms leading to a   epic tribute song ‘Golden’,
              this renewed and invigo-   Shari Black Velvet                   heavier, doom-laden mid-  their nod to Chris Cornell,
              rated in a long time. Open-                                     section which eases up to   while  the  supremely
              ing with the powerhouse   WHITE RAVEN DOWN                      the end but cuts out quite   melodic ‘Dance With  The
              ‘Sane’, ‘Boombox’ is an   DON’T SHOOT THE MES-                  abruptly. What you will al-  Dead’ will surely become
              album you need like blood   SENGER                              ways get from Beardsley is   the party piece of their live
              in your veins. ‘Sane’ is   (ROULETTE MEDIA)   FONZY & COMPANY   phenomenal guitar work   tour. ‘Let’s go dance with
              packed with killer riffs, pow-  A killer debut album is   TOUCHÉ   and strong vocals,  these   the dead, they know how to
              erful drumming and a men-  sometimes the most pow-  (FONZY & COMPANY)   are decent songs delivered   kill it,’ Brandon cries in the
              acing bass, which hardly let   erful weapon a band can   It’s been a while since   well. A good second album.   latter piece and while that
              up throughout the album.   have in their arsenal when   we’ve heard a band with   YYYY   is true, so too do Crobot.
              You can feel the passion   they are looking to break   male and female vocals   Clare Huckett   So make sure you get a
              burning through the moti-  free from their local scene   sounding this good to-      good feel of ‘Feel  This’;
              vational ‘I Still Burn’, a driv-  and move to the next level.   gether. Bristol-based quin-  CROBOT   you’ll feel better for doing it.
              ing force of an anthem.   And, with ‘Don’t Shoot The   tet Fonzy & Company are   FEEL THIS        YYYY
              ‘Even when they think I’m   Messenger’, Essex-based   like a hidden gem in the UK   (MASCOT)   Michael Coventry
              at my end I get up again, I   quartet White Raven Down   music scene.  Their four-  In a time where it is
              still burn,’ sings Chris Jeri-  have packed some heavy   track EP ‘Touché’ kicks off   nigh on impossible to have   HALESTORM
              cho in this exhilarating and   artillery into their cannons   with the buoyant and up-  a unique sound, Crobot do.   BACK FROM THE DEAD
              inspiring gem.       with more than enough   beat ‘The Kids Stay Home’   And, if you are unfamiliar   (ATLANTIC)
                 ‘Army Of One’ is a   power to explode them for-  and the sound of summer.   with the Crobot sound, it’s   The last couple of
              slightly solemn tune. It has   ward. It’s been nearly four   The combination of male   time to catch up and, with   years have been tough, but
              wise, reflecting words. ‘If   years since their debut EP,   and female vocals help   fourth studio album ‘Feel   Halestorm  are  even
              you crash and burn, just   ‘Conspiracy’, came to be   make a sublime song.   This’, there is no better   tougher. The  four-piece
              start again, because the   and the progression is re-  Razor-sharp riffs open the   time. Whether it’s Brandon   have previously shown us
              sting of a failure doesn’t   markable, but there are a   song, while the melodies   Yeagley’s distinctive vo-  their ‘Vicious’ side in 2018,
              hurt as bad as giving up’.   few things the band have   are pure magic. ‘Precious   cals, the band’s amazing   but now they are un-
              It’s another song that really   done to help ensure ‘Don’t   Malicious’ has a slightly   gifts for groovy riffs, that   leashed and are snarling
              pierces the heart. There’s a   Shoot The Messenger’ is a   dark tone to it. It begins   teeny, tiny pinch of a stoner   and biting even harder –
              fab little guitar solo by Rich   fitting follow-up. Opener   with the male and female   rock element or a combina-  especially in the opening
              Ward too. ‘Ugly On The In-  ‘Demons At Your Door’ has   vocals back and forth be-  tion of all three, there is   title track ‘Back From The
              side’ has a slightly fiendish,   it, but so too do ‘Not Alone’   fore coming together in the   something which makes   Dead’. The only thing miss-
              twisted tone – and almost a   and ‘Masquerade’ a little   chorus.  The song, and   this Pennsylvanian-based   ing are canines in Lzzy’s
              twist in the tale at the end.   later on, and that is epic   whole of the EP, includes   outfit just that little bit differ-  photo on the album cover.
              Chris sings ‘You’re ugly on   openings. The former and   some impressive guitar   ent from the competition.   Songs like ‘Wicked Ways’
              the inside’ before ‘It makes   latter songs are brooding,   work. ‘No Way (Man You’re   All these elements are pre-  and ‘The Steeple’ give you
              me want you more, maybe   while ‘Not Alone’ grabs you   Old)’ is punchy and upbeat,   sent and correct for album   adrenaline chills; they’re
              we’re both the same, ugly   by the throat, but these   while ‘The Serenade’ has a   opener ‘Electrified’, as   full of power, energy, pur-
              to the core’.        openings are grand and   lulling, timeless tone to it.   close to a Crobot-sounding   pose and full-blooded hard
                 The   band  make   ambitious and if they don’t   It’s the sort of song you’ll   song as you can get and   rock. ‘Strange Girl’ is for
              Frankie Goes  To Holly-  have you hooked by the   be swaying along to. At the   one which fans will lap up.   anyone that doesn’t fit in,
              wood’s ‘Relax’ their own.   time the songs hit second   end of ‘The Kids Stay   We’re also treated to the   as Lzzy sings ‘the world
              Their cover version sounds   gear, you are more than in-  Home’ the band sings   wonderful, foot-stomping   needs strange girls just like
              as good as the original.   trigued. Live, the band are   ‘yeah, yeah, yeah, yeah’,   banger that is ‘Dizzy’. This   me’, but it’s the final track,
              The dance pop classic is   better known for their hard   and you will be thinking   track is also a fine introduc-  ‘Raise Your Horns’, where
              pumping and fits right in   rocking, bordering-on-80s,   ‘yeah’ at the end of it too!   tion to the record’s main   the frontwoman sounds
              with the rest of the album.   trademark heavy metal    YYYY     theme of human nature   truly stunning, singing with
              Programmed electronics   ways, but songs like ‘Mas-  Shari Black Velvet   and is a tale of volatile re-  just a piano as backing - it
              are sprinkled throughout   querade’, ‘The Road’ and             lationships. There   are   really touches your heart
              the album. They stand out   the sublime ‘Salvation’   DANNY BEARDSLEY   plenty of interesting ele-  and soul. ‘We all need
              during ‘My Great Wall’.   show their softer side. And   CHASE THE SUN   ments to discover within   something to keep believ-
              Chris sings about ‘brick by   their positioning on the   (DANNY BEARDSLEY)   the 12 songs on offer, per-  ing’, Lzzy sings in ‘Bright-
              brick’, and this song is rock   album works perfectly,   Singer/songwriter   haps none more so than   side’,  and  Halestorm
              solid, like a wall. ‘Omen’ is   making them stand out all   Danny Beardsley is back   ‘Better  Times’.  A song of   definitely keep us believing
              evil-sounding, quite indus-  the more and giving the   with his second solo   that name in 2022, given   in them. A life-affirming re-
              trial with electronics, brood-  heavier  tracks  more   album, very much in the   what the world has en-  lease from the four-piece
              ing guitars and bass, plus   oomph, while leaving ‘Lost   classic rock mould. Opener   dured and continues to en-  from Red Lion, PA.
              penetrating  vocals  by   Your Hold’ and ‘Void And   ‘The Chance  To Live’   dure, may typically signify a   YYYYY
              Chris. There’s some guitar   Flame’ to close things with   jumps around a variety of   slower, more brooding   Shari Black Velvet

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