Page 36 - Black Velvet Rock Magazine Issue 103
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BV103 pg34-37 Airbourne_BV103 pg36  27/12/2019  17:35  Page 3



              BlackVelvetMagazine.Com - 36
              up producing the record, that was a very com-  it being a big, long, mapped-out plan", he ex-  and moodier and darker, dealing with post-trau-
              mon train of thought between both parties and  plains. "Basically, the way the whole album was  matic stress disorder and the things that partic-
              that is what we wanted to do with the record and  done was as the four of us as a live band and  ipants of war are asked to do and see in the
              it's what he heard us doing with the record and  exactly as we would do in our rehearsal space  name  of  what  they  are  convinced  or  told  or
              that is what he felt he could bring to the table in  in Melbourne, exactly like you would have done  strong-armed into believing is a greater good.
              terms of bringing his strengths to what we do."  with your mates when you were 15 in a garage  That was again something that was very topical
                With 'Boneshaker' now having been intro-  or something like that. We were just set up with  at the time, on the day, and that was definitely a
              duced to the world, Harri says, "I think it's a nice  our instruments; you know, guitar amps right up  song which musically was the one we spent the
              position  to  be  in  where  we  can  look  on  the  against the drum kit, bleeding into the drums  most time going back over trying to find out what
              record with a lot of pride for fulfilling the goals  with the four of us huddled around - and that is  it should be thematically because it didn't feel
              which we set as long ago as the end of the pre-  the way we recorded the instrumental beds for  like a party song. Not that it needed to be, but it
              vious album cycle tour, so about two years ago.  every song. For several songs on the album we  was probably the one which took the longest to
              It really was when these conversations started,  were able to record them with the first take that  settle on what it should be and then execute it.
              at least in terms of what we wanted to do and  we did and that is what ended up on the record.  "Going even further, we are lucky enough
              how we wanted to do it differently, and when I  From there we would develop lyrics and themes  and humble enough to have met a lot of people.
              hear the record, and I know it's the same for the  or a tone for the song and Joel would record his  We've met a lot of war vets and people who
              other guys, I hear those things that we wanted  vocals.                have gone through extremely difficult times and
              to achieve and we hear the differences in the  "It was about nothing more than trying to  it  is  super-humbling  that  they  have  attached
              record compared to the previous albums. We  embrace the mood of the music and however  themselves to certain songs of the band and
              hear a lot of qualities in the album that are com-  that made you feel when you listened to it. So  used the band’s music as a bit of a platform to
              mon with our favourite records and what we love  naturally, most of what we do is the party stuff,  help them through these difficult times, and we
              about our favourite records. It's not things like,  the fun stuff and we definitely still want a record  have, in the past, met a lot of war vets who have
              ‘that's very perfect’, or ‘that's very precise’, or  of ours to basically be a Saturday night sound-  hooked on to a certain song which has become
              ‘that  sounds  very  polished’,  whether  it's  a  track, a fun record which you can put on at 9pm  almost their daily mantra, so while those songs
              Stones record, an AC/DC record or Motorhead  and play it before you go out for drinks at the  in the past weren't written with that intention, it's
              that our guys use for soundchecking. If you take  pub with your mates and you can put it back on  been nice to create a song which is for them."
              a Motorhead record you're never drawn to the  at 3am when you come back home, but it was
              record for the perfection or a polish to the music,  good to do something different."  hen  discussing  'Weapon  Of  War',
              it's about the energy and the vibe and some-  Harri happily continues his thoughts about  Wbandmate Ryan said, "When you've
              times that vibe is aggression or it's a vibe creat-  these songs and tells us more about the some-  done seven songs about cars, booze and girls,
              ing a different mood, and it feels good to be able  what unlikely story of how 'Blood In The Water'  it's good to be able to do a song that could really
              to hear that in what we did."      came to fruition. "The song had that kind of jolty  mean something to somebody," so we ask Harri
                                                 music at the start of the song with big gaps for a  if he thinks we will come to expect more of this
                    ne of the more obvious differences to  vocal; we just so happened to be working on  from the band in their future.
                Othe  songs  on  offer  on  'Boneshaker'  that song at the time that Joel and Ryan had  Taking a second to consider his answer, he
              when compared to Airbourne's previous work is  gone back to where we were staying in Nashville  tells Black Velvet, "A song like that may really
              that a couple of them have a much darker edge  and watched the film 'Jaws' that night. So it was  not have come about had we not embraced the
              or,  to  use  Harri's  words,  vibe,  to  them,  none  as simple as them coming in the following day  notion of no rule book, we were just chasing the
              more so than 'Blood In The Water' and 'Weapon  and saying ‘We should write a song from Jaws'  songs to wherever they were going to go. I'm not
              Of War'. The guitarist tells Black Velvet about the  perspective’ and that song felt like the right one  sure a song like that would end up on a record
              motivations behind bringing this kind of material  to do that with, and within a few hours it was  that from day one was created in the pursuit of
              into the Airbourne catalogue.      'Blood  In  The  Water'  as  you  hear  it  on  the  a hit record or just trying to get singles and stuff
                "It was a conscious decision, but it was in  record.                 like that, it would only be created from an atti-
              terms of consciously deciding that and poten-  "'Weapon Of War' was very similar. That is  tude of ‘fuck the rule book, no rules, let's just
              tially executing it in a couple of hours rather than  the one that I think is most noticeably different  chase these songs as far as they can go’, so I










































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