Page 24 - Black Velvet Issue 85
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             baptism of water and they were both sym-  does,” Jonny agrees. “It’s like for example,  someone you know dealing hard drugs to
             bolic in different ways. The baptism of water  if someone grew up watching, let’s say chick  people who have legitimate problems with
             was symbolic of new birth, like the water that  flick kind of movies, that’s just the one com-  them  and  saying,  “Well,  it’s  not  my  fault,
             comes out when a baby is born, and it even  ing to mind right now… I mean guys have  that’s their responsibility”. But it’s like what
             kind of relates to the ocean and evolving out  movies as well that are a totally trick version  are you talking about? You’re the one sup-
             of that in some ways, I think, on an instinc-  of reality… if you just watch those kind of  plying, you’re contributing to the shit that we
             tual level. The trial by fire, the baptism of fire  movies all the time and mistake it for reality  live in and I think MTV does that. Apple, I
             was once you’ve had a rebirth or this change  it’s going to fuck with you a little bit. Guys  don’t know, I have less to say about them be-
             of paradigm or mindset and you start on a  watch  these  action  movies  that  are  just  cause it’s not as obvious. Maybe they do -
             new path. The fire baptism is the process  ridiculous. I mean it’s entertainment and it’s  but again the point of the song is more for
             you go on the path, like when someone says  fine, there’s nothing wrong innately about it  us to ask ourselves. Those corporations are
             trial by fire, it’s the same concept, so it’s lit-  but when you have people like MTV putting  made up of people, and at the end of the day
             erally a paradigm shift. I remember when I  on  air  whatever  is  going  to  get  the  most  it’s easy to say “it’s this corporation blah
             grew up, I was very religious and then I be-  shock value, and relating to people’s lowest  blah blah” but that’s a bunch of people mak-
             came very clean slate, not religious and kind  common  denominator  as  far  as  just  the  ing  decisions  and  those  people  all  justify
             of set off on this new path and then the bap-  shitty  side  of  humanity,  then  that  does  those decisions because they’re a corpora-
             tism by fire was many of those songs, figur-  change the world in a negative way. I think  tion. They think 'well, it’s okay for me to do
             ing out life after that.”          everyone wants to disconnect and say “well,  this because it’s my job”, like somehow that
                Songs  like  'This  Is  The  Time  (Ballast)'  it’s just business,” but saying that doesn’t  now  justifies  bringing  bullshit  into  the
             and 'Mr. MTV' contributed to the success of  change  what’s  happening.  That’s  an  easy  world.”
             the self-titled record. Although 'Mr. MTV' is  way to say, “Oh, it’s just this” or “it’s just
             extremely popular with fans, the meaning of  that' and “we’re just making a buck”. It’s like
             it  is  often  misunderstood.  “It’s
             probably one of the most misun-
             derstood songs in a lot of ways be-
             cause  I  think  as  soon  as  people
             hear the metaphors we use, for ex-
             ample ‘My iLife, My iPhone’ from
             Apple, a lot of people immediately
             think “Oh, so you’re against cor-
             porations or Apple?”, then they’re
             like  “You  have  an  iPhone!”  you
             know,  totally  hypocritical.  But
             we’re not using it in a literal sense,
             it’s a metaphor for narcism, and
             this  enables  our  narcism  a  lot
             more. 'My iPhone, my iLife, me me
             me'. It is about corporations, but
             as much as it is about us as indi-
             viduals, it’s not pointing the finger
             in one direction, it’s pointing it in
             every  direction.  I  think  it’s  very
             easy for people to get latched onto
             the corporate side of it because of
             the  title  and  the  metaphors  like
             iLife  and  all  that,  but  it  was  in-
             spired by what MTV has become in
             the  United  States.  I  don’t  know
             what  it’s  like  over  here  but  they
             don’t even play music anymore.”
                MTV has changed here in the
             UK too – the channel stopped play-
             ing music videos in 2001 after real-
             ising that there was more money to
             be made elsewhere. “Yeah, it’s de-
             volved from what it used to be, and
             we thought it was a picture of what
             is happening in parallel to all of us,
             culturally. We’re just kind of dumb-
             ing things down like the soundbite
             wins today, it’s like, if people can’t
             pay  attention  for  longer  than  ten
             seconds then it’s not worth putting
             on TV, it’s not worth doing this and
             that,  rather  than...  I  don’t  know...
             holding  each  other  to  a  higher
             standard.  People  are  addicted  to
             the  fast,  the  quick,  the  easy  and
             you get what comes with that, it’s
             like fast food television. If you start
             eating a bunch of fast food you’re
             going to look horrible and feel hor-
             rible and in the same way I think
             we’re addicted to fast and easy an-
             swers.”
                Corporations  like  MTV  have
             been criticised a lot for having a
             negative effect on young people,
             even Apple has been given a bad
             name.  “I  definitely  think  MTV
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