Page 38 - Black Velvet Rock Magazine Issue 102
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                                   solos and high-teased vo-  be a shout-along live belter,  being by far the best of the  cased  and  together  the
                                   cals,  showing  as  always  as will ‘Underneath The Af-  slower tempo songs on the  four produce a neck-snap-
                                   that  these  guys  are  ex-  terglow’ which goes heav-  record as the others, 'Run-  ping, heart-pounding con-
                                   tremely well-accomplished  ier  and  darker.  ‘Why  Do  ning  In  Circles'  and  the  clusion  to  their  work.  In
                                   musicians as well as outra-  You  Love  Your  Guns?’,  a  somewhat cheesy 'Vambo  between  these  songs,
                                   geous  entertainers.  Steel  politically-charged  power  Roolz'  are  a  significant  there’s a slight dip, with 'If
                                   Panther rules.       ballad  inspired  by  Amer-  downturn in the quality of  This Is The End (I've Been
                                                YYYY    ica’s  epidemic  of  school  songs here and something  A  Fool  From  The  Start)'
                                                   SBV  shootings, is quite a jarring  for the band to work on for  being  the  highlight.  Al-
                                                        change of pace but there is  the future. The rip-roaring  though if you listen to the
                                   THE 69 EYES          a power to it, and the guitar  'Fast Car' sees Vambo un-  EP as we suspect the band
                                   WEST END             solo is phenomenal. ‘What  leash their funky side for a  would like you to, immedi-
              STEEL PANTHER        (NUCLEAR BLAST)      Will It Take?’ features Pearl  sublime, hip-shaking con-  ately  after  'Side  One'  to
              HEAVY METAL RULES       A  tolling  bell  heralds  Aday  joining  Ricky  War-  clusion to the record with a  create  a  12-track  album,
              (STEEL PANTHER INC.)  the  rising  of  the  Helsinki  wick on vocals and is pure  song which is bound to be  'Black  Eye  Friday'  goes
                 Michael Starr, Satchel,  Vampires  with  their  30th  Americana,  while  album  a high point of their live set.   from  killer  opener  to  an
              Lexxi  Foxx  and  Stix  Za-  anniversary album. The 69  closer ‘Poisoned Heart’ is  YYYY  even  more  powerful  mid-
              dinia, AKA  Steel  Panther,  Eyes are that rare beast –  fierce,  high-octane  rock  Michael Coventry   album  boost,  re-igniting
              must surely have been co-  a genuinely unique sound.  that goes out with a bang.     your passion for the record
              medians in their past lives.  ‘Two Horns Up’ is in their  Black Star Riders just keep  which,  in  turn,  somehow
              The  sleazy  humour  that  trademark up-tempo rocker  getting better and better.     manages to magically en-
              they  manage  to  create  style,  darkly  theatrical,   YYYY                         hance the four tracks be-
              never  gets  old.  If  you’re  solid  bass  line  and  riff  Clare Huckett           tween it and the stunning
              ever having a bad day, all  heavy,  featuring  a  guest                              final  two,  and  songs  like
              you need to do is take a lis-  appearance from Dani Filth  VAMBO                     'Hollow People' and 'Blood
              ten  to  their  new  album,  (Cradle of Filth). In a similar  VAMBO                  In The Water' become so
              ‘Heavy  Metal  Rules’  and  vein, ’27 & Done’ pays trib-  (GOLIATH)                  much  more  enjoyable,
              they   will   immediately  ute  to  the  infamous  27  There is a valid argu-        while  'On  A  Leash'  and
              brighten your day. You’ll be  club, before the pace slows  ment that Vambo are per-  'Crawl'  go  from  EP  high-
              sniggering,  chuckling  and  for  the  hauntingly  gothic,  forming in the wrong era,  lights  to  utterly  awesome
              laughing out loud to songs  piano-heavy ‘Black Orchid’  but we would disagree with  THE CRUEL KNIVES  album closers, the likes of
              such  as  single  ‘Always  and ‘Change’. ‘Burn Witch  that  and  instead  suggest  SIDE TWO  which will ensure you look
              Gonna Be A Ho’, which in-  Burn’ ups the pace again in  they are bringing back a bit  (THE CRUEL KNIVES)  up  their  live  dates  as
              cludes  the  lyrics  ‘I  don’t  a dark fairy tale centred on  of  yesteryear  to  the  rock  Passing  judgment  on  quickly as possible.
              care if your dad is Russell  the poison of social media  scene for those who enjoy  the  second  EP  from  UK-  YYYY
              Crowe,   you’re   always  insanity. Dani Filth returns  a  little  vintage  when  it  based  hard  rockers  The  Michael Coventry
              gonna  be  a  ho’  and  alongside  Wednesday  13  comes  to  classic  rock.  It  Cruel Knives, 'Side Two', is
              ‘doesn’t  matter  if  you  live  and Calico Cooper (Beastö  will come as little surprise  very  much  down  to  how  THE ROCKET SUMMER
              so long your body is cov-  Blancö) for a tribute to Wes  to  learn  that  the  London-  you look at the seven-track  SWEET SHIVERS
              ered in mould’. If you ARE  Craven’s ‘The Last House  based  quartet  find  heavy  release.  The  follow-up  to  (AVIATE)
              in a bad mood and every-  On  The  Left’.  There’s  a  inspiration  in  the  likes  of  2017's   (yep,   you've  ‘Sweet  Shivers’,  the
              one is pissing you off, then  more frenetic, punky style  Aerosmith,  Deep  Purple  guessed it) 'Side One' gets  seventh  studio  album  by
              ‘Fuck  Everybody’  is  the  to this one, with the vocal  and Led Zeppelin as they  underway in grand fashion  Bryce Avary, also known as
              perfect  anthem  for  you.  layering  giving  an  added  more than wear these influ-  with  'Black  Eye  Friday'.  The  Rocket  Summer,  is
              Singing  ‘Fuck  everybody,  creepy  tone.  With  their  ences on their sleeves as  Opening the EP with a ma-  packed with gifted vocals,
              everybody  can  suck  my  never-ageing brand of goth  they put their best foot for-  jestic storm of the sublime  instrumental  and  emotive
              dick’ as loudly as you can  ‘n’ roll and Jyrki 69’s mes-  ward  with  the  album  and  guitar  work  of  former  lyricism.  Songs  such  as
              will  fuel  your  fire  and  get  merising majestic bass vo-  the excellent opening dou-  Heaven's  Basement  pair-  ‘Morning  Light’  burst  with
              the  blood  flowing  even  cals The 69 Eyes are a bit  ble,  double  whammy  of  ing Sid Glover and bassist  energy and fluidity. Soft vo-
              faster. ‘Stinky fucking dude  Marmite, but for those for  'Now  You  See  Me',  'Why  Rob Ellershaw, before set-  cals  and  bass  drive  the
              on  the  airplane  did  not  whom it works ‘West End’  Why  Why',  'Cry  Woman'  tling in to introduce the bril-  song  along.  ‘Shatter  Us’
              wash himself, smelt like I  will be a welcome return.  and 'We're Not The Same'.  liantly  talented  vocals  of  encompasses  a  rawness
              was  strapped  inside  the        YYYY    Jack  Stiles'  silky  smooth  Tom Harris, who soon lets  with personal lyricism that
              carcass of a whale,’ sings    Clare Huckett  vocals are perfectly suited  loose with the true scale of  delves deep into the brain
              Michael  Starr.  They  just               to this style of rock and are  his  ability  when  the  song  of the musician, while ‘Gar-
              keep  coming  up  with  the  BLACK STAR RIDERS  supported perfectly by Pete  hits full pelt, it's both a fan-  dens’ and ‘5 4 3 2 1 Z’ take
              most  imaginative  one-lin-  ANOTHER  STATE  OF  Lance's punchy guitar skills  tastic introduction for those  a  more  upbeat  approach.
              ers.  Title  track  ‘Heavy  GRACE         throughout  the  self-titled  new to the band as well as  ‘Gardens’  has  an  electro
              Metal Rules’ has a heavier,  (NUCLEAR BLAST)  record, enabling him able  a reminder to those familiar  yet  mellow  vibe,  whereas
              sludgy feel when it kicks in.  Black  Star  Riders  will  to display the wide range of  with their work of what they  ‘5 4 3 2 1 Z’ has a groove
              It’s quite an ingenious track  never escape the shadow  his skills, the highlight com-  are capable of. Equally the  that  will  get  the  listener
              as it ties in with the intro to  of  Thin  Lizzy,  and  why  ing  with  the  aforemen-  EP closes in top form with  dancing. Acoustic elements
              the album, which is a clip  would  they  want  to?  Yet  tioned  'Why  Why  Why',  arguably  two  of  the  best  also  add  flavour  to  the
              from 1986’s ‘Heavy Metal  newcomers Christian Mar-  where  he  pours  a  ton  of  songs the band have pro-  album with tracks such as
              Parking  Lot’  featuring  a  tucci  (ex-Stone  Sour)  on  emotion  into  his  words,  duced  yet,  'On  A  Leash'  ‘Wannalife’  possessing  a
              metal fan that’s wearing a  guitar  and  Chad  Szeliga  which in no small part con-  and 'Crawl'. The former is a  stripped-back   element,
              zebra-striped  outfit.  Steel  (ex-Black Label Society) on  tributes  to  this  being  the  big, brooding slab of hard  while  ‘Slomo’  combines
              Panther  call  him  ‘Zebra-  drums bring additional in-  show-stealer of the album  rock, the kind of which The  drum beats, guitar and vo-
              man’ on the album and his  fluences and have slotted  and  a  song  which  could  Cruel  Knives  are  quickly  cals  creating  an  amalga-
              interview  audio  starts  the  in  well.  Opener  ‘Tonight  easily star on any record of  establishing  a  reputation  mation  of  an  endearing
              album. Michael then sings  The  Moonlight  Let  Me  the rock giants they have  for  producing,  and  one  sound, which sums up the
              the  same  words  that  he  Down’ is the familiar ener-  found  inspiration  from,  which is also dripping with  entire  album.  As  always,
              spoke in the intro along to  getic  and  upbeat  hard  while  'We're  Not  The  bad attitude. It goes without  Bryce  plays  each  and
              music in the title track. The  rocker with the bonus of a  Same'  could  easily  come  saying that the line ‘I'm an  every  instrument  on  the
              heavy  metal  vibe  runs  Michael Monroe sax solo.  from the back catalogue of  animal at heart’ is probably  album  and  his  talent  is
              through the music of songs  Celtic-drenched  title  track  Queen and when you listen  very true to the band, while  wholly evident throughout
              such as ‘I’m Not Your Bitch’  ‘Another State Of Grace’,  to it, you can actually pic-  'Crawl', in contrast, is a full-  the release.
              and  the  NSFW  ‘Gods  Of  with  its  twin-lead  guitars,  ture Freddie Mercury per-  throttle slice of rock and roll  YYYY
              Pussy’, which include men-  penny  whistle  and  strong  forming it. 'We're Not The  in which Al Junior's drum-  Sara Ashton
              acing riffs, sparkling guitar  drum  rhythms  is  going  to  Same' also stands out as  ming skills are really show-

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